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Tirupati & Tirumala |
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Tirupati &
Tirumala |
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After the long
hours of waiting and
anticipation in the famous
queues of Tirumala, as the
golden doors of the sanctum of
Lord Venkateshwara come within
view, a great surge of positive
energy sweeps through the
waiting devotees, suddenly and
collectively. It is a gust of
fresh air flooding the huddle of
anxious minds, brushing away the
debris of doubts Like a barely
comprehended miracle, the aching
feet, knees, necks and thoughts
are replaced with incredible,
overwhelming hope. "Govinda,
Govinda!" exults the chorused
chant, rising like a heavenward
prayer. And heaven is so close
at hand. At the entrance to the
sanctum, 3-m high metal statues
of Jaya and Vijaya, the
dwarapalikas of Vaikuntha, stand
eternal guard. They herald the
moment, that most precious
moment of darshan, which is
somehow bestowed with
timelessness in ispite of being
terribly brief. The crush of the
crowd is a rage now, seething
and mindless. The queues have
joined and all are not only
equal, they are almost
physically one. Your feet are
not yours, your hands don't
belong anymore. What is more, it
doesn't matter. The mind has
surrendered to the vision head.
Lord Venkateshwara stands before
us. |
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He towers, resplendent and
absolute, in the sanctum lit
dimly with oil lamps. He is
exactly how you imagined him to
be from the countless images
that you have already seen.
Later, you realise it was the
aroma of camphor and burning
oil, which lent such intimacy
and immediacy to the life-size
image of the lord. The diamonds
glitter, the gold glows and the
flowers paint striking finishing
touches to the
picture-come-to-life. Equally
clear is the woman in the
yellow sari, who was trying so
hard to get a letter view by
climbing upon whatever little
elevation my feet afforded her. |
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Also, one
doesn't need to know Telugu to
grasp the meaning of the urgent,
irritable, multiple 'larakandi! Jarakandi!". Yes,
yes, we are moving away. With
eyes still focused upon that
last glimpse of the lord and the
body still being propelled by
seen and unseen forces, it is
time to stumble out. I find my
feet, upon those of the woman in
the yellow sari. Yet, all of
this is but a sigh, a comma
after the full stop.
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